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Active D-Lighting on the Nikon D300

January 9th, 2008 · 6 Comments

I’ve been a big fan of Nikon’s D-Lighting technology, favoring it over Adobe’s Shadow/Highlight adjustment for more bringing out more natural-looking shadow detail.  With the D3 and D300, Nikon introduces a new technology called “Active D-Lighting,” which uses a new, on-the-fly approach to achieve a similar result.  How well does it work?

In a word, great.

No Active D-LightingActive D-Lighting Normal
Active D-Lighting: None on left, “Normal” on right

These shots, both of VMI’s Travis Holmes, were taken on the same night, on the same area of the court, albeit with different D300/lens combinations (the photo on left was shot with a Sigma 18-50/f2.8 HSM at 50mm, 1/400 @ f2.8, ISO 800; the photo on right with AF-Nikkor 85/f1.8D, 1/400 @ f1.8, ISO 400).

Nikon recommends setting Active D-Lighting to “Low” for high ISO images, and “High” for low ISO shots.  Here’s a comparison of the three settings, as well as Active D-Lighting turned “off,” with variations from the originally recorded setting of “Normal” made through Capture NX v1.3.

Active D-Lighting NoneActive D-Lighting Low
Active D-Lighting NormalActive D-Lighting High
Clockwise from top left: Off, Low, High, Normal

These results compare favorably to improvements made in post-processing with the software-based D-Lighting adjustment in Nikon Capture:

No Active D-LightingNo Active D-Lighting; D-Lighting 20
D-Lighting: Off on left, strength “20″ on right

The value of the Active D-Lighting, of course, is that it is accomplished in-camera, and requires no additional post-processing.  This is great for my D300 workflow, as I have found that the out-of-camera images generally require no post-processing and I have begun to eliminate that step for the bulk of my images.

Clicking on each of the thumbnails above will bring you to a slightly larger (700 pixels high) version of each image.  If anyone feels the need to see the full-sized images, email me and I will send them to you.

Tags: Cameras

6 responses so far ↓

  • 1 czei // Jan 9, 2008 at 2:50 pm

    Have you ever tried Lightroom’s fill light feature? The problem with the in-camera d-lighting is it only works on JPGs; RAW files still have to be processed with Capture NX, which of course is a giant hassle.

    On the other hand, Lightroom’s fill light feature is quick and painless to apply to a group of photos since its not rendered until the images are output.

  • 2 The Sports Photo Guy // Jan 9, 2008 at 3:28 pm

    I gave Lightroom a try during the public beta, and didn’t particularly like it. I do remember the fill light feature being an improvement over the Shadow/Highlight adjustment in PhotoShop.

    I suppose if I shot RAW more routinely, I would like Lightroom better. But truth be told, I’m much more inclined to try to get my JPGs to come out of the camera the way I want them.

  • 3 Brent // Jul 10, 2008 at 5:26 pm

    Just got issued a d-300 and have been reading the manual. Page 168 talks about Active D-lighting an d sez “additional time is required to record images”
    so is their a perceptible shutter lag when it is used?. Thanks Brent

  • 4 The Sports Photo Guy // Jul 10, 2008 at 6:00 pm

    Not shutter lag, just longer for each image to be recorded to the card. You could fill up the buffer more quickly with a really long burst, but you won’t see shutter lag until that happens.

  • 5 Chris // Jul 13, 2008 at 4:58 pm

    I’ve read that Matrix metering is suggested to be used in conjunction w/ ADL….I tend to shoot CW or spot.

    What have you shot? (no EXIF found)

  • 6 The Sports Photo Guy // Jul 13, 2008 at 8:58 pm

    Honestly, I haven’t noticed a lot of difference between ADL in matrix, center-weighted, or even manual.

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